Spongebob Squarepants The Musical - Perch Perkins, color matched cotton, silk, wool fabrics. David Zinn designer.Spongebob Squarepants The Musical - Patrick, bleach bottle hat. David Zinn designer.Spongebob Squarepants The Musical - Patrick, bleach bottle hat. David Zinn designer.Spongebob Squarepants The Musical (Broadway) - Squidward: dyed fabrics, Anemone ensemble: dyed feathers, created hats, anemone eyes. David Zinn designer.Spongebob Squarepants The Musical (Broadway) - Sea Anemone ensemble hats and eye details on glove and shoes. David Zinn designer.Spongebob Squarepants The Musical (Broadway) - Coneface fish, created veraform mesh traffic cone mask and cardboard articulated shell body. David Zinn designer.Spongebob Squarepants The Musical (Broadway) - Pearl, dyed coordinated pink fabrics. David Zinn designer.101 Dalmatians Musical (National Tour) - Cruella DeVille, hat made of wonderflex and covered with silk and wool suiting, feather spray. Robert Morgan designer.101 Dalmatians Musical (National Tour) - French Poodle owner, hat made of fosshape and wool suiting. Robert Morgan designer.101 Dalmatians Musical (National Tour) - Cruella Deville, hat detail. Robert Morgan designer.101 Dalmatians Musical (National Tour) - Captain, straw hat. Robert Morgan designer.101 Dalmatians Musical (National Tour) - Seargent Tibbs, envelope hat. Robert Morgan designer.101 Dalmatians Musical (National Tour) - Dog walkers, created hats. Robert Morgan designer.Ion (Shakespeare Theatre Company) - Wings made of thermoplastic sheeting. Rachel Myers designer.Ion (Shakespeare Theatre Company) - Wings made of thermoplastic sheeting. Rachel Myers designer.Maometto II (Santa Fe Opera) - Turkish army vambraces and armour false fronts. Jon Morrell designer.The Wiz Live! (NBC) - Evillene played by Mary J. Blige, over skirt dye ombre, under skirt color gradient hand painted. Paul Tazewell designer.The Wiz Live! (NBC) - Evillene played by Mary J. Blige, over skirt dye ombre. Paul Tazewell designer.Notes from the Field (Second Stage Theatre) - Anna Deavere Smith, dyed blue shirt, created distressed patches to blend in to pants. Ann Hould-Ward designer.Notes from the Field (Second Stage Theatre) - Anna Deavere Smith, distressed patch close up. Ann Hould-Ward designer.A Bayou Legend (UCLA) - Troll body framework mechanical drawing. Timm Burrow designer.A Bayou Legend (UCLA) - Troll body understructure build to be collapsible and malleable. Timm Burrow designer.Radio City Rockettes Christmas Spectacular (NYC) - Snow costumes, dyed accompanying notions and skin tones for each look. Greg Barnes designer.Custom leather gaiters. - Private commissionBook of Mormon (Broadway, West End, National and International Tours) - Nabulungi, dyed blue dress fabric and refresh color every few months. Ann Roth designer.Book of Mormon (Broadway) - Nabulungi, dyed blue dress. Ann Roth designer.Shuffle Along (Broadway) - Campaign Woman, created black bird hat. Ann Roth designer.Shuffle Along (Broadway) - Campaign Woman, created white bird hat. Ann Roth designer.Shuffle Along (Broadway) - I’m just wild about Harry girls, created baby bonnet hats. Ann Roth designer.Shuffle Along (Broadway) - I’m just wild about Harry girls, bonnet detail front. Ann Roth designer.Shuffle Along (Broadway) - I’m just wild about Harry girls, bonnet detail back. Ann Roth designer.Shuffle Along (Broadway) - Bandana Days Girls, created bandana hats with fringe bangs. Ann Roth designer.Shuffle Along (Broadway) - Bandana Days Girls, hat details. Ann Roth designer.Der Ring des Nibelungen, ‘American Ring’ (Washington National Opera) - Fasolt and Fafner, articulating ‘giant’ fingers mechanical drawing. Anita Yavich designer. Der Ring des Nibelungen, ‘American Ring’ (Washington National Opera) - Fasolt and Fafner, articulating ‘giant’ fingers. Anita Yavich designer.Charlie and the Chocolate Factory (Broadway) - Grandpa Joe, scrub brush epaulettes. Mark Thompson designer.The Black Iris Project (The Black Iris Project) - Lead role, pressed velvet color removed and hand painted. Jermaine Terry designer.The Black Iris Project (The Black Iris Project) - Lead role, detail paint. Jermaine Terry designer.Queen of the Night (NYC) - Queen, 40 plus yards of silk zibeline fabric dyed to match pantone color standard for cape. Thom Browne designer.Romeo and Juliet (Broadway) - Condola Rashad as Juliet, golden leaves crown. Fabio Toblini designer.Romeo and Juliet (Broadway) - Juliet golden leaves crown detail. Fabio Toblini designer.Dr. Zhivago (Broadway) - Tonya, wedding veil made of silk net and wax dipped orange blossoms, edged in lace. Paul Tazewell designer.Dr. Zhivago (Broadway) - Tonya, wedding veil detail. Paul Tazewell designer.Masterminds (Michaels Goldwyn) - Kate McKinnon as Jandice, created wedding veil made of poly net and sourced findings. Sarah Edwards designer.The Marvelous Mrs. Maisel (Dorothy Parker Drank Here Productions) - Rachel Brosnahan as Miriam Maisel, wedding veil made of silk net and satin bow detail. Donna Zakowska designer.Paul Revere Fiat Commercial (Fiat) - Light distressing of Paul Revere’s cape. Don Giovanni (Chicago Lyric Opera) - Donna Elvira, hand painted and ombre’d silk organza. Ana Kuzmanic designer.Madame Butterfly (Santa Fe Opera) - Cho-Cho-San, kimono lace details hand painted. Brigitte Reiffenstuel designer.Ringling Bros. and Barnum & Bailey Circus - Alexander Lacey, dyed to match tailored sportsman fabric.Ringling Bros. and Barnum & Bailey Circus - Chinese Acrobats, dyed the neon yellow and bright turquoise of the dresses.The Thanksgiving Play (Playwrights Horizons) - Jeffery Bean as Caden, created the turkey costume feet by carving foam, setting in shoes, and covering ‘craftily’ with mottle dyed fabric. Tilly Grimes designer.The Thanksgiving Play (Playwrights Horizons) - Jeffery Bean as Caden, created the turkey costume head hat with bubble google eyes. Tilly Grimes designer.Much Ado about Nothing (The Public Theatre, Shakespeare in the Park) - Beatrice, ombre dyed sash to match vintage sash that was too delicate to use. Jane Greenwood designer.Flatcaps for Washington National Opera Stock - What costume stock doesn’t need a good flatcap selection?!Paradis (Norwegian Cruise Line) - Can Can girl hats, frou-frou delicacy fascinator hats. Eduardo Sicango designer.Paradis (Norwegian Cruise Line) - Can Can girl hats, back detail. Eduardo Sicango designer.Paradis (Norwegian Cruise Line) - Can Can girl hats, front detail. Eduardo Sicango designer.Paradis (Norwegian Cruise Line) - Ombre dyed dressing gown. Eduardo Sicango designer.Tales of Hoffman (Santa Fe Opera) - Olympia, multiple fabrics and notions throughout undergarments dyed to match the pink standard. Constance Hoffman designer.Tales of Hoffman (Santa Fe Opera) - Antonia, dress fabric mottle dyed and painted to look aged and as though the color were fading out of it. Constance Hoffman designer.Rhoda and the Fossil Hunt (Chicago Lyric Opera) - Cavewoman, distress faux fur and leather dress to look worn and dirty. Summer Lee Jack designer.Lucrezia Borgia (Washington National Opera) - Renee Flemming, hand held leather mask, gold leafed and painted. John Pascoe designerMadiba (The Black Iris Project) - Painted and ombre’d ensemble costumes. Montana Levi Blanco designer.Natasha, Pierre and The Great Comet of 1812 (Broadway) - Opera singer hat, fosshape crown with ribbon/horsehair tube ‘hair’, silk poppy flowers. Paloma Young designer.Natasha, Pierre and The Great Comet of 1812 (Broadway) - Male opera singer, fosshape and wired buchram crown. Paloma Young designer.Natasha, Pierre and The Great Comet of 1812 (Broadway) - Helene, dyed green under fabric of dress. Paloma Young designer.Whipped Cream (American Ballet Company) - Marzipan men, hats shaped to look like cookies, custom block created. Mark Ryden designer.Whipped Cream (American Ballet Company) - Mazipan men, hat detail. Mark Ryden designer.Whipped Cream (American Ballet Company) - Gingerbread men, hats created from custom made blocks, fosshape, schreck stretch velvet. Mark Ryden designer.Whipped Cream (American Ballet Company) - Sugar plum and Ginger bread men hat details. Mark Ryden designer.Aurora SeaWorld - Seefar mesh ombre dyed.The Color Purple (Broadway) - Shug Avery, velvet coat, lame dyed to coordinate. Anne Hould-Ward designer.The Color Purple (Broadway) - Shug Avery, silk dress, dyed to match when fabric store ran out of fabric. Anne Hould-Ward designer.The Color Purple (Broadway) - Shug Avery, lace cross dyed to match a discontinued lace. Anne Hould-Ward designer.The Nance (Broadway) - Ensemble girls fairy look, piano wire frame wings, lace interior and ruffle edge, hand painted and air brushed, foam butterfly body, dyed nylon rod antennae. Ann Roth designer.The Little Foxes (Broadway) - Dress fabric components dyed to match and coordinate. Jane Greenwood designer.A Christmas Carol (Ford’s Theatre) - Tiny Tim, leg brace mechanical drawing. Fabio Toblini designer.A Christmas Carol (Ford’s Theatre) - Tiny Tim, leg brace, adjustable between different height actors. Fabio Toblini designer.
